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Movie Reviews

‘Haunted Mansion’ Review: Welcome to the Remake, Foolish Mortals

‘Haunted Mansion’ Review: Welcome to the Remake, Foolish Mortals

There is a central question every haunted house movie must answer: Once the characters witness conclusive proof that said house is haunted, why do they stay? A creaky old home filled with ghosts is an unsettling prospect, certainly, but one with a pretty obvious solution: If the house is haunted, leave the house! In that way, bad haunted house
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‘Dumb Money’ Review: A Low Yield Snobs Vs. Slobs Comedy

‘Dumb Money’ Review: A Low Yield Snobs Vs. Slobs Comedy

Dumb Money introduces hedge fund manager Gabe Plotkin (played by Seth Rogen) as he surveys the work being done on an enormous seaside mansion. It looks like he’s building some sort of dream home for his family — but a few moments later, we learn the house is not under construction; it’s under destruction. Plotkin actually lives next
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‘Fair Play’ Review: A Limp Erotic Thriller

‘Fair Play’ Review: A Limp Erotic Thriller

If there was any justice in the world, the rise of streaming would spark revivals of the genres that the traditional studios have abandoned — i.e. pretty much all of the ones that don’t involve superheroes or science-fiction. The erotic thriller (or really any picture that deals with matters of sexuality in a serious way) seems like exactly the sort
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Gemini Man Review: Double the Wills Smith, Five Times the Frames

Gemini Man Review: Double the Wills Smith, Five Times the Frames

If an actor sticks around in Hollywood long enough, their most meaningful onscreen relationship isn’t with any of their co-stars. It’s with time itself. Popular actors age, they get older, they shift roles from sons to fathers to grandfathers. They turn gray, they get wrinkles, they remove the wrinkles, they dye their hair. The degree to which
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‘The Exorcist: Believer’ Review: Dear Lord, What a Mess

‘The Exorcist: Believer’ Review: Dear Lord, What a Mess

In hindsight, The Exorcist: Believer poster I found tossed in a urinal in the movie theater bathroom before tonight’s press screening was probably a bad omen. You might even call it a sign from God. And like so many of the foolish mortals in this new film, I failed to heed His warnings. For my sins, I was damned for
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‘The Holdovers’ Review: A Melancholic ’70s Throwback

‘The Holdovers’ Review: A Melancholic ’70s Throwback

Alexander Payne knows how to set a mood. He begins his 1970-set dramedy The Holdovers with the sorts of MPAA ratings cards, company logos, and opening titles that would have appeared in a movie that was actually made in 1970. The Holdovers’ distributor, Focus Features, didn’t exist in 1970, so Payne went to the trouble of creating a period-appropriate
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‘The Marvels’ Review: A Not-So-Marvelous MCU Moment

‘The Marvels’ Review: A Not-So-Marvelous MCU Moment

Right now on Season 2 of Loki, the heroes are racing around all of space and time fighting to preserve the very fabric of the multiverse. When something goes wrong, they characters fall apart like actual fabric; they dissolve into thousands of individual strands, as if they were each a handmade sweater and someone pulled all their threads apart simultaneously.Whatever you think of Loki, that
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‘Napoleon’ Review: A Twisted Love Story in a Plodding War Film

‘Napoleon’ Review: A Twisted Love Story in a Plodding War Film

People are complicated creatures; they contain many contradictory impulses, emotions, and behaviors. Ridley Scott’s Napoleon aims to capture the contradictions of one such man by being a movie with almost as many different shades as the historical giant at its center. At times, Napoleon is a costume drama. For long stretches, it is a bloody war film. And occasionally — in its
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